DAO is looking to commission a digital artist to make work in response to Outside In artists

Closing date: 1 June 2012

Disability Arts Online

Location: South East

Remuneration:£1500 fee for commission

Description:As part of our Diverse Perspectives programme DAO is looking to commission a South East-based digital artist to collaborate with one or two Outside In artists to make a series of short, moving image, digital works to be showcased on the Outside In and Disability Arts Online websites.

We are looking for an artistic response to the work of one or two artists who have submitted galleries to the Outside In website. The work produced could be film, animation, audio or a combination of moving image work, that is aesthetically exciting.

Outside In aims to provide a platform for artists who find it difficult to access the art world either because of mental health issues, disability, health, social circumstance or because their work does not conform to what is normally considered as art. You can find out more about this groundbreaking initiative produced by Pallant House Gallery in Chichester at www.outsidein.org.uk

Our aim is that the resulting piece(s) of digital artwork will encourage people to make art, by providing an exciting response to the Outside In artists technique or creative process.

These works will be shared on both DAO and the Outside In websites in order to give a deeper insight into the artists’ working practices.

The deadline for producing the final artwork would be 1 October 2012, in preparation for showcasing as part of the launch of Outside In at Pallant House Gallery on 27 October 2012.

We are also in negotiation to fund the costs of the touring of the digital artworks as part of the 2013 Outside In exhibitions starting in March 2013 and completing in April 2014.

We are looking for proposals from artists who identify with having an impairment or who consider themselves disabled, who would be keen to liaise with Outside In artists who are interested in having a unique aspect of their artistic process captured for posterity.

DAO will support the digital artist awarded this commission to make contact with the Outside In artist(s) to support the collaboration.

Proposals must include details of:
The style of presentation of the work (eg how it will display)
Accessibility (all video must be subtitled)
Details of previous work
A rough breakdown of costs involved in making the work, including artists

In addition to the fee of £1500 there is a limited amount of additional funds available for access and travel to be negotiated during the commissioning process.

How to apply:
Please send your proposals to trish@disabilityartsonline.org.uk by 1 June 2012. Please put ‘Outside In’ in the subject line

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DAO (Disability Arts Online) is looking for new Board members

Closing date: 1 June 2012

DAO (Disability Arts Online)

Location: UK-wide

Remuneration:Voluntary position

Description:

Disability Arts Online, the dynamic online journal for disabled and Deaf artists and practitioners, is looking for skilled people to join our Board of Trustees

DAO is going through an exciting period of development with the recent award of a significant Arts Council, Grants for the Arts Award to respond to the Cultural Olympiad. Trustees will support the implementation of DAO’s Diverse Perspectives project, commissioning artists and writers to produce work for the journal.

We are particularly looking for motivated individuals with a commitment to disability, diversity and creativity and with expertise in finance, marketing, fundraising and online journalism.

Please send a cv and short statement saying why you are interested in this position to Trish Wheatley, Director no later than 1 June 2012 via trish@disabilityartsonline.org.uk

How to apply:
For further information about Disability Arts Online, please contact editor Colin Hambrook.
Tel: (01273) 771878 or email editor@disabilityartsonline.org.uk

We welcome applications from disabled people, people from within the diversity sector, including young people.

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dOCUMENTA(13)s notatbok nr. 67

OCA ANNOUNCES

HANNAH RYGGEN
Edition no. 67 in the notebook series
100 Notes – 100 Thoughts
published by dOCUMENTA (13) and Hatje Cantz

jul-kvale-notebook2-01-268x183

Office for Contemporary Art Norway
Nedre Gate 7
0551 Oslo, Norway
www.oca.no l info@oca.no

OCA har gleden av å annonsere utgivelsen av dOCUMENTA(13)s notatbok nr. 67, Hannah Ryggen, skrevet av OCAs direktør Marta Kuzma. Notatboken inngår i en serie av hundre notatbøker med tittelen 100 Notes – 100 Thoughts, og er dedikert til en av Norges mest kjente billedvevkunstnere, svensk-norske Hannah Ryggen, og hennes produksjon. Boken, samt flere av kunstnerens billedvever, utgjør Hannah Ryggens deltagelse i den forestående dOCUMENTA(13) i Kassel, som åpner 6. Juni 2012.

I følge forfatteren “vevde Ryggen sine tepper ut fra et sosialt engasjement og ofte med politiske temaer. Hun markerte dermed et skifte i tilnærmingen til billedvev, fra å være en konvensjonspreget og apolitisk anvendt kunstform til et autentisk og umiddelbart uttrykk for det sosio-politiske landskapet i Ryggens samtid’.

Hannah Ryggen ble født i Malmø, Sverige, i 1894, men bodde det meste av sitt liv på et småbruk på Ørlandet i Norge. Hun var gift med den norske maleren Hans Ryggen. Hannah Ryggen var utdannet lærer, og studerte senere maleri under den danske billedkunstneren Fredrik Krebs. Som selvlært vever hadde hun en separatutstilling på Moderna Museet i Stockholm i 1962 og utstilte ved Venezia-biennalen i 1964. Ryggen døde i Trondheim i 1970.

Denne notatboken er gjort mulig med redaksjonell bistand fra Tonja Boos, OCAs research- og programkoordinator. Utlånere av bilder og materiale for notatboken inkluderer: Nasjonalmuseet for dekorativ kunst, Trondheim; Nasjonalmuseet for kunst, arkitektur og design, Oslo; Hanna Ryggen arkivet ved Nasjonalmuseet for dekorativ kunst, Trondheim; Hanna Ryggen arkivet ved spesialsamlingen, NTNU, Universitetsbiblioteket, Trondheim; Hannah Ryggen-arkivet ved Yrjar Heimbygdslag, Ørland.

Hannah Ryggen
Introduksjon ved Marta Kuzma, tekster av Hannah Ryggen
Serie: dOCUMENTA (13): 100 Notizen – 100 Gedanken No. 067
Tysk/Engelsk
2012. 48 s., 27 ill.
ISBN 978-3-7757-2916-1
Tilgjengelig på trykk og som e-bok fra Hatje Cantz

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Office for Contemporary Art Norway Annonserer ‘Peter Watkins: Et Retrospektiv’

7.–14. mai 2012

Office for Contemporary Art Norway
Nedre Gate 7
0551 Oslo, Norway
www.oca.no l info@oca.no

OCA har gleden av å annonsere et retrospektiv med filmskaperen Peter Watkins fra 7. til 14. mai, som organiseres i forbindelse med Watkins deltakelse i OCAs internasjonale studioprogram. Arrangementet vil løfte frem Watkins grunnleggende historiske bidrag til film som kritisk praksis og vil ha spesielt fokus på hans forhold til Norge gjennom Edvard Munch, og filmen med samme navn fra 1973. I anledning neste års 150-årsjubileum for Munchs fødsel, ønsker OCA å sette et nytt søkelys på Watkins’ liv og verker. Watkins skal bo i Munch-residensen på Ekely, og holde møter og workshops for studenter med bakgrunn fra film, billedkunst og andre relaterte fagområder.

‘Peter Watkins: Et retrospektiv’ inkluderer et utvalg av Watkins viktigste filmer, samt en åpen paneldiskusjon hvor hans tidligere samarbeidspartnere vil delta. Det innledes med visningen av filmen Edvard Munch, etterfulgt av en paneldebatt hvor filmens betydning både ved lanseringen i 1973 og i dag, vil bli diskutert. Edvard Munch dramatiserer tre tiår i kunstnerens liv og er av Watkins selv betraktet som den mest personlige filmen han noen gang har produsert. Filmen gir ett hudløst og uforglemmelig portrett av hvordan Munchs kreative utvikling var tett knyttet til tidsånden og de sosiale relasjonene i hans samtid.

Denne etterfølges av visninger av Watkins´andre skandinaviske prosjekter, blant annet The Gladiators (1968) og Evening Land (1976). The Freethinker (1992-94), hans biografi om August Strindberg som fletter sammen fire forskjellige tidslinjer vil bli vist på 100-årsdagen for kunstneren og forfatterens død i 1912. I tillegg vises The War Game (1965), Punishment Park (1970) og La Commune (de Paris, 1871) (1999) – alle filmer som gjennom dramatiseringen av historiske eller samtidige hendelser er uttrykk for en politisk og kritisk refleksjon over filmspråk, distribusjonsnettverk og media generelt.

Om programmet
•    Mandag 7. mai, 19.00 – Visning av Edvard Munch (1973)
•    Tirsdag 8. mai, 19.00 – Åpent foredrag: ‘Edvard Munch: A Film’s Legacy’
•    Torsdag 10. mai, 18.00 – Visning av The Gladiators (1968) og Evening Land (1976)
•    Friday 11. mai, 18.00 – Visning av The War Game (1965) og Punishment Park (1970)
•    Søndag 13. mai, 16.00 – Visning av La Commune (de Paris, 1871) (1999)
•    Mandag 14. mai, 17:30 – Visning av The Freethinker (1992–94)

Om Peter Watkins
Peter Watkins (født 1935 i Norbiton, Surrey, UK) er en filmskaper og TV-regissør. Han regnes som en av pionerene innen dramadokumentaren, og har vært aktiv siden 50-tallet med flere banebrytende filmer, som The War Game (1965), Punishment Park (1970), Edvard Munch (1973), The Freethinker (1992–94) og La Commune (de Paris, 1871) (1999). Filmer som alle utforsker politiske konjunkturer i samtiden, enten de er satt til nåtiden eller historisk tid, og som retter et kritisk blikk mot dokumentarfilmens begrensinger og muligheter. Sentralt i Watkins virke er det kritiske søkelyset på massemedia og det han kaller ‘mediakrisen’ og ‘monoformen’, beskrevet i boken Media Crisis (2004).

For mer informasjon om retrospektivet, vennligst ta kontakt med Maria Moseng.

Arrangementet er gjort mulig ved hjelp av generøs teknisk støtte fra LYDROMMET AS (Pro) and NEBY Hi-FI CONCEPT AS.

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Calling all performers with impairments

Location: Stroud town centre, Gloucestershire

1 May 2012 to 22 May 2012

Reg Cobb, Chair of Stroud Access Group, is looking for disabled artists to perform at Stroud Disability Awareness Day.

The event will take place in Stroud town centre and I would like this to be an opportunity to raise awareness of the talents of disabled artists / performers.

We are looking for artists to perform at Stroud town centre’s forecourt near the Old Town Hall on 15th September 2012 at 10am, 12pm, 2pm and 4pm.

Please let us know your cost to perform and description, present in any format, of your performance.

Please reply by 22nd May 2012

How to book:
Please contact Reg Cobb at
stroud.access.group@gmail.com

Go to the Access Group website for more details.

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Northern Ballet seek a Communications Officer: Marketing

Closing date: 25 May 2012

Northern Ballet

Location: Leeds

Remuneration:£19K per annum

Description:

Northern Ballet are looking for someone with exceptional organisational skills and an ability to manage multiple priorities to lead on implementing marketing strategies for our national tour, as well as supporting communications for our Learning Department and Academy.

How to apply:
For full details and to download an application form visit our website at www.northernballet.com/jobs

CVs will not be accepted

diane.tabern@northernballet.com

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Bel Ami (a subtitled cinema screening) at Ludlow Assembly Rooms

Location: Ludlow Assembly Rooms, 1 Mill Street, Ludlow

15 May 2012 2pm

£6.50 (£6) Balcony £6 (£5.50) Stalls

Bel Ami (15) This screening is subtitled to make it more accessible for those who are hard of hearing.

The powerhouse Cheek by Jowl theatre directors turn their attention to film, in an English language adaptation of Guy de Maupassant’s novel.

Georges Duroy’s charm and good looks enable him to seduce his way up the social ladder in 19th century Paris, leaving behind his poverty-sticken background – but where will it all end?

Starring Robert Pattinson (Twilight), with Christina Ricci, Uma Thurman, Kristen Scott Thomas and Philip Glenister.

Dir: Declan Donnellan/Nick Omerod, UK/France/Italy, 2012, 103 minutes

How to book:
Box Office: 01584 878141

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InMotion @ the RA

Location: Royal Academy of Arts, Burlington House, Piccadilly, London

11 May 2012 9am – 11am

£3. Friends of the RA, family members, carers and friends have free entrance.

An early morning private view of the Johan Zoffany RA: Society Observed exhibition for individuals with limited mobility, their family members, friends and carers

Explore the exhibtion with an introductory tour delivered by an artist educator followed by coffee and conversation in the Saloon.

We also offer one to one tours of the exhibition for wheelchair users. Volunteer support is provided, and we try to accommodate your schedule. Email access@royalacademy.org.uk to book.

Tickets can be bought online at http://www.royalacademy.org.uk/events/tours/ or from the RA Box Office.

How to book:
www.royalacademy.org.uk/events/tours/

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Whatever Happened to Sex in Scandinavia? receives Design Prize

Whatever Happened to Sex in Scandinavia?

OCA is pleased to announce the awarding of the publication Whatever Happened to Sex in Scandinavia? within the competition ‘Årets vakreste Bøker’ (‘The Most Beautiful Books of The Year’), organised annually by Grafill ­– the organisation for Norwegian graphic designers and illustrators. Whatever Happened to Sex in Scandinavia?, designed by NODE Berlin Oslo, received the first prize in the category ‘Facts and Reference / Adult Literature’. According to the jury, the design of Whatever Happened to Sex in Scandinavia? has to be praised for ‘a documentation of an epoch, a theme and a movement with a humorous and unpretentious undertone’. They further add: ‘The choice of a soft cover is untraditional for a reference book that shall be used often and stay in the bookshelf for many years. This makes the book as an even more exiting object. The designer is familiar with the material and has acquired a good balance between pure documentation and essays and photographic references’. In a comment NODE says that ‘there is a lot of work behind the project – both from us, but mostly from OCA’s side. Whatever Happened to Sex in Scandinavia? is a very interesting project with a rich material source. We hope that the book will get the attention it deserves’.

The awarded books will be on view on the 2nd floor of the National Library in Oslo until 12 April. The exhibition will then travel to Grafill’s offices in Rosenkrantz gate 21, Oslo, and will be on display until 27 April 2012.

Whatever Happened to Sex in Scandinavia? is an anthology edited by OCA’s Marta Kuzma and Pablo Lafuente that reflects upon the juncture of the political and the erotic in the 1960s and 70s, in special relation to the image of Scandinavia as a sexually and politically utopic territory during those decades. With a close reading of the cultural and socio-political history of Scandinavia, through the writings of Wilhelm Reich, Herbert Marcuse, Norman O. Brown, Daniel Guérin, Jacqueline Rose and others, and through an examination of the obscenity bonanza that emerged around Swedish film-maker Vilgot Sjöman‘s I Am Curious (Yellow), the publication offers a plethora of historical material and an investigation of the political motivations behind naming a cultural form obscene and pornographic.

The anthology is published by the Office for Contemporary Art Norway and Koenig Books, London, with generous support from Fritt Ord. It can be purchased through OCA’s website and in bookstores internationally.

OCA’s Public Space
From 29 March until 23 June OCA presents PORTRAIT PORTRAIT OF OF A A GENERATION GENERATION by artist and author Matias Faldbakken, curated by Marta Kuzma. In sourcing iconic sculptures produced in the 20th century, the artist essentially de-skills modernist aspirations toward the aerodynamic, the minimal, and the abstract by acrobating revered works of ‘art’ into vessels for intoxication.

Opening Hours: Wed, Fri and Sat: 12:00–16:00, Thu: 12:00-18:00 (closed Friday 6 April)

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The cover letter

The cover letter is a social act of courtesy, the initial presentation and as such has this importance. Usually it is accompanied by the curriculum, either responding to a newspaper advertisement, either in a self-presentation or a letter of thanks. The wrapping of the curriculum, and for the sake of academic and professional, that does not fall on deaf ears, we must take care of the details of writing and style
The aim is to attract the attention of the person who reads it, so to consider, on first impression, that the record presented may be capable to cover the job that offers

Types of cards
We will present several examples of letters, then a TYPE MODEL LETTER:

3 cm. Margin                                                        left. 2 cm. Margin / right.
Name of sender
Street, no, floor
Postal Code - City
Contact Telephone Company (details below)
address
Reference (if applicable)
date:
greeting:
First paragraph:
Offer or invitation: the reason for the letter
Second paragraph:
Who are you. Your interest in the company
Third paragraph:
What skills you have. What are your achievements
closure:
Request for interview
farewell
firm
Attachment: (if applicable)

STRUCTURE

Although the format of the letter can be the same or similar, wording and content must be different in each case.

The cover letter must have quality, must be: SHORT and DIRECTLY.

In general terms must include: reference, address, reason, beliefs, purpose, farewell courtesy, name and full address of the sender. Fortunately there are no rigid rules for the preparation of a letter. This allows the possibility of differentiation between the candidates.

You have to escape the dull letters or empty of content, preparing them differently for each job and each job search system. A letter responding to an ad can not be equal to one that responds to a mailing. You have to write in first person and jam6aacute; s tutear the reader, so far unknown.

We can sort it into three parts: Header, development and completion.

WRITING STYLE
custom:
It is advisable to write a letter for each job applied for, depending on the requirements they ask, to whom it is addressed and the type of company.

The custom make it demonstrates the interest shown and the effort to gather information about the recipient.

Direct brief:
Very clear and short sentences. It must be specific and rigorous in the expression. Avoid negative phrases useless servility

PRESENTATION

The presentation of the letter is as important as the content of it.
Never send a photocopy of the letter was written, you must send the original.
No larger than a sheet.

The envelope should put as much attention as in the letter, cleaning and data written without erasures or deletions. The name and address must be identical to those written in the letter.

The paper must be good and standard size without any damage.

Generally, this type of letter writing is sent by computer. Sometimes, if the letter is in response to an offer of employment can ask explicitly that you do by hand. This is usually because more information you give yourself the power to make a handwriting analysis. If you handwritten note:

Make sure the lines are straight.
Pen writes with blue black, instead of pen.
Leave wide margins and regular.
The letter should appear cared for, but not decorate too.
The entry must be the one you normally do.
TIPS
IMAGE
• The letter must be submitted on a sheet (not lined or graph), written to your computer (unless otherwise noted) and on one side (maximum Dina folio-4).
• Always send original (though we stay with photocopies).
• The paper should be of good quality, preferably the same as the curriculum.
• Do not use an envelope that detract from the letter.
• Use a word processor and a high definition printer.
• It is advisable to address the letter to a specific person, to support you reach your destination. If you do not know is directed to the Personnel Department.
• Ensure that the paper is not more bends than necessary.

CONTENT AND WRITING
• The letter must be submitted on a sheet (not lined or graph), written to your computer (unless otherwise noted) and on one side (maximum Dina folio-4).
• Always send original (though we stay with photocopies).
• The paper should be of good quality, preferably the same as the curriculum.
• Do not use an envelope that detract from the letter.
• Use a word processor and a high definition printer.
• It is advisable to address the letter to a specific person, to support you reach your destination. If you do not know is directed to the Personnel Department.
• Ensure that the paper is not more bends than necessary.

It is important to keep track of all letters you send, as it usually tends to be a while before receiving an answer. If you do not take that control, it can happen that you do not remember what you put in the letter or what data highlight it. So take the following precautions:

• Make a copy of the letter you send to that in the event that you convene, know exactly what you put.
• Take note of the address and telephone number of the addressee and the type of company and position applied for.
• Archive all documentation.

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Portfolio – Artists and Designers

The portfolio is the way to be released of all persons trained in art and design areas that require more than a resume to show their creative work and to come into contact – both visually and directly – with people and entities interested in their professional performance.

The portfolio comprises those works and projects already developed and more representative of the creative activity, which have reached maturity and precision sufficient to give a full and reliable picture of true professional work. In this sense, the portfolio can include all kinds of information – whether written, visual or audio – that’s valuable to show that disclosure has been the work as well as comments and criticism that has generated most prominent in the artistic cultural and national and international level.

The portfolio is essential in various circumstances for either:

  • The achievement of a job.
  • The organization of an exhibition.
  • Participation in a contest.
  • Participation in an auction.
  • Participation in a cultural event.
  • Admission to an institution of higher art education.
  • The incursion into the field of teaching.

There is no single presentation of a portfolio, it must conform to the specific activity performed by each person in your field, whether a visual artist, designer, textile artist, a multimedia artist, a musician, a person engaged theater, fashion and other fields of creation.

Aware of the importance of portfolio to your career and your professional life, it begins its development from the early work done by collecting from the beginning all the personal information you are going to have on your work, in order to create a complete personal file of your creative process. This file is saved as a personal memory of the work, and shall include all data related to each piece or photo, which will serve later to know on what date was made, what matter, and so on.

A person may build a new graduate small portfolio (or several, depending on your needs), which may be armed or disarmed multiple times for the occasion. For example, if you are participating in an exhibition hall, wardrobe a portfolio with your resume, slides upon request, technical specifications, a personal commentary of his work, and so on. does go to apply for a scholarship, you must conform to the specifications that the entity assigned to the portfolio and send letters, letters of tutors, etc..

Curriculum

There are many ways to create a resume, but all must try to contain the following information:

  •   Studies Completed or in Process
  •   Group Exhibitions
  •   Solo Exhibitions
  •   Awards and Prizes
  •   Complementary Activities

For example, work as guides in museums and galleries, as assistants to other artists in the area of ​​cultural administration, organization and curation of exhibitions

Samples Art Resume

Collections

Being an artist, including museums, galleries or collectors who have works of artist and location.

 Personal References

If a CV is sent to the achievement of administrative work or a company, etc.. are some personal references, ie the name, title, and telephone number of persons who can provide references.

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Resources for Disabled Artists

It is not easy for an artist to develop his career, but when it comes to an artist who has a disability, it can be even more difficult
I have worked as an art photographer, I suffer from hearing loss, and I know very well how difficult it can be to find a niche in the competitive art world
Fortunately, there are organizations that can help us, I show some of the most important in the UK, if you know other organizations, please leave a comment on this post

ARTS COUNCIL ENGLAND
14 Great Peter StreetLondonSW1P 3NQ
Tel: 0845 300 6200, Textphone: 020 7973 6590
enquiries@artscouncil.org.uk
http://www.artscouncil.org.uk/
Produces Disability Access: a good practice guide for the arts Comprehensive guide to increasing participation in the arts by disabled people as artists, audience members, participants and employees. Includes checklists and an action plan template.   See www.artscouncil.org.uk/information/publications.php for further disability related publications.

ARTSLINE
54 Chalton Street London  NW1 1HS
Tel: 020 7388 2227/8 Voice/Minicom
http://www.artsline.org.uk/
London’s primary provider of access information for disabled people to the arts, leisure and entertainment. Range of Access Guides to venues including theatres, cinemas, music venues, galleries and museums, “play”lists accessible activities for disabled children.  Offers disability equality training to venue staff and full access consultancy to venues.  Multicultural Project has an access guide to culturally appropriate venues and gives advice to disabled artists from ethnic minority communities.  A Youth project works alongside disabled youth within the Arts, to produce and join in various workshops or productions.

ASSOCIATION OF MOUTH AND FOOT PAINTING ARTISTS OF THE WORLD
9 Inverness Place, LondonW2 3JG
Debbie Wilson: Office Manager
Tel: 020 7229 4491
Organisation of professional mouth and foot painting artists; scholarship   scheme to enable artists to reach standard of acceptance to the group.

OPEN COLLEGE OF THE ARTS
The Michael Young Arts Centre, Unit 1B Redbook Business Park, Wilthorpe Road, Barnsley, South Yorkshire  S75 1JN
Tel: 01226 730 838,  Fax: 01226 205 255
enquiries@oca-uk.com
http://www.oca-uk.com/
No entry requirements or age limits, similar to the Open University, to which it is affiliated.  Distance learning courses with tutorial support. Bursary available for those on Income Support, Incapacity Benefit, Disability Living Allowance, Jobseekers Allowance or Family Tax Credit.  Subjects include drawing, illustration, graphic design, painting, printmaking, textiles, sculpture, composing  music, creative writing, photography, digital arts, history of art.  Creative Arts degree now available.
THE ART HOUSE
Drury Lane Wakefield, West Yorkshire  WF1 2TE
Tel: 01924 377310
info@the-arthouse.org.uk
http://www.the-arthouse.org.uk/

An inclusive membership organisation enabling all artists to have access to work, training and exhibiting opportunities in accessible surroundings.Aims to enable artists to develop their creative practice and vocational skills by providing advice, information, training and experience. Campaigns for equal opportunities for disabled artists within the visual arts, representing the needs and views of disabled artists and promoting and encouraging good practice.

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3D Filmmaking Course: From Script to Screen

Title: 3D Filmmaking Course: From Script to Screen
Location: Ravensbourne Media Academy, North Greenwich, London, UK
Link out: ronan@3dstories.co.uk
Description: 26 March 2012 to 28 March 2012 9am – 5pm all three days
FREE
The course will consist of a 2 day workshop on 26 & 28 March at Ravensbourne Media Academy, London. In between will be a practice shoot on 27 March with the Great Britain Wheelchair Rugby Team at their training ground in Aylesbury, Buckinghamshire (an hour from London). Follow-up sessions to partake in the post-production process will also be available.

This course is designed primarily for producers, directors, directors of photography, editors and camera crew working in independent film.

Thanks to the support of Screen South and Southampton Solent University, this course is being offered for free.

For more information or to register for this free course, please contact Ronan Hodge – ronan@3dstories.co.uk / 07793088898
Date: 2012-03-26

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